Friday, April 25, 2008

There was a whole collection of the Louis Vuitton handbags and luggage at the show. There was this one very large, duffel like purse that stood out. It had really small side handles that didn't look like they reached to the top of the bag and I wondered if the bag could even be held by the handles. So I asked one of the security guards (although I was not really sure what he was due to his white suit and Luis Vuitton bow tie). He said that the handles did reach to the top and that you couldn't tell from looking at it behind the glass case. I desperately wanted him to open up the case and show me, then I would run off with the bag and sell it for a ton of money. Then I would buy Da Vinci art supply and make amazing art and have an even bigger and better show than Murakami. But....I didn't. Darn!

Murakami at the Brooklyn Museum

So I recently went to the Brooklyn Museum to see the Murakami show. I liked it surprisingly. It must have been the bright modern colors that did it. I have never been a fan of anime or of Louis Vuitton either. It's my own personal taste. I could put that aside though and really appreciate some of the pieces. Walking into the first room with a large installation of an anime figure suspended from the ceiling and louis vuitton monograms on large panals, I instantly thought of pop art and Andy Warhol. But everything was so pristinely executed that I also felt a particular fine art aesthetic. There was a point of view that was more than commercialism. Certain rooms made me feel like a child and others were anything but childlike. Everything was executed carefully and considerably. I liked that, the care and attention to detail. Then I thought of Elsworth Kelly and how there is a painstaking attention to detail in his solid color panels. I also really enjoyed the wallpaper patterns. The show went on forever covering, if I can remeber correctly, three floors! It was really overall a must-see in my opinion. 

Sunday, April 20, 2008

Karen at the Whitney Biennial

So I went to the Whitney Biennial this weekend and was thoroughly disappointed. I certainly expected to be, considering all of the bad things I have heard from hearsay. I wanted to see for myself. I have no idea where the future for art is going. There were a few pieces that I liked, but the rest were lackluster for me unfortunately. If I had any doubts about being an artist before, this is just the icing on the cake. I did see a few paintings by my newly found favorite artist Karen Kilimnik. This was one of the paintings which I nearly drooled over. I wanted so badly to take pictures but the guard just eyed me with disapproval, so I didn't. I had to find this picture online which doesn't do the painting justice at all but it'll have to do for now.
A drawing I did over spring break. A bit obsessive... I know.

Monday, April 14, 2008

More figure drawings

Figure drawing today was exhausting! All the more reason I feel that I should include these drawings in my blog. Today, after getting off of the train breathless, I got back to my room and tossed my things on the floor. I have no idea why exactly, but I then opened my portfolio and took out my drawing board. I went through all of my pastel smudged drawings to look for the ones I liked best. Here they are. And yes, they aren't the best drawings but I am posting them anyway. 

Sunday, April 13, 2008

Yeah, I know they're kinda crappy. I like the brevity of them though.

Figure Drawing

Figure drawing! Every time I look at figure drawings I get really inspired to make art. Isn't that strange? I guess because it's such a traditional practice, probably since the first American art school. I think I learned about in AP art history in high school. Was it Winslow Homer or Thomas Eakins who started the first school? I can't remember. A little help please??!!  

Paris is Burning



I was on youtube looking for inspiration and I found it! This is such a wonderfully crafted stop motion animation piece.

Saturday, April 12, 2008

What is a seemingly peaceful greenhouse with a view, full of  lively plants and leisure, is actually the scene of Kurt Cobain's suicidal death.  
This painting of Queen Elizabeth's bedroom is suggestive of her presumably lonely and isolated private life. The single bed and portrait and the bareness of the space echoes the sadness of the scene.  
This is a painting of the apartment of the tragic author Truman Capote. 

Dexter Dalwood

Dexter Dalwood is another favorite artist of mine. A British born artist, Dalwood paints the interiors of celebrities and socialites, such as this scene of Jackie Onassis' yacht. Never having been to any of the places he depicts in his paintings, Dalwood constructs a narrative and is suggestive of the the views of the collective conscious and today's media.While the scenes he creates are not entirely fictional, they are taken heavily from the made up stories and headlines of magazines and newspaper articles. They hint at the intriguing lives of celebrities and how they are viewed in the public eye. He often begins making small collages using cutouts of showroom furniture from magazines, which he then uses as a source to create his paintings. I just love them. They have the awkwardness and quirkiness of David Hockney. They are also filled with symbolism and mystique and speak so much about our glamorized culture and the ugly truth of it all.    

Monday, April 7, 2008

I completely forgot to post my classical master midterm drawing. I can hardly remember when I did it. And after not seeing it for so long , I forgot how funny it was. That costume and hat could not be more hilarious! 

Sunday, April 6, 2008

Oh Sylvia where have you been?




I love Sylvia Plath for so many reasons. Fever 103 is one of my favorite poems. I often read her poetry when I feel really intense, overwhelmed, and like I'm loosing control. I usually always am on the inside at one point or other. I can be so fragile at times that I feel like I'm going to crack and break into a million pieces. I like to think that she and I have this in common and then I feel a lot better.

Saturday, April 5, 2008

Elizabeth Peyton

I thought I would include some of Elizabeth Peyton's pieces. I found out that she went to my school as well which was interesting. That was in the 80's though so I'm sure things were quite different then.
Little Red Riding Hood has never really been a favorite fairytale of mine. The Brother's Grimm version of it is quite interesting though. This print has a lot to do with the coming of age of a young woman, female sexuality, and old age. There's definitely more to it so don't mind me.

Kiki Smith

I've always loved the artist Kiki Smith. Even though I think we have completely different approaches to making art (She is far more aggressive and diligent). I admire how much she labors over her art, they really are "labors of love". And not to mention, her use of different papers and natural surfaces. She's great for anyone to look at.
More Karen Kilimnik! I used to draw tons of fashion models when I was little. My mom encouraged it, thinking that I would become a fashion designer one day. That ship kinda sailed. I do draw inspiration from the fashion industry. It really fits what I am trying to do in my art. 

Julie Heffernan

Julie Heffernan's artwork makes me very uncomfortable. After seeing a few of her pieces I just couldn't take it. They harken back to Vanitas still lives, which we did drawings of in class, but these Vanitas are anything but ordinary. I feel so sorry for the woman in this painting, who looks so graceful and content despite what's going on. This scene is just disturbing.
The carriage and the moon are so luminous. The carriage reminds me of Cinderella on her way to the ball. It actually alludes to Little Red riding hood though.
I am mesmerized by the gestural quality and brevity of her paintings. And the color! I found out most of her paintings are Vermeer size (usually like 11x14). I really want to see one in life. Look at that bright blue umbrella!
I've always been tempted to do a portrait of Paris Hilton but I thought that I took myself too seriously as an artist to do that. But now I figure why not? She's almost old news, making for a more interesting piece. In this portrait of her, she is represented as Marie Antoinette, alluding to her little cottage tucked away from Versailles. I think Paris and Marie Antoinette lives are very similar, both constantly being in the public eye and talked about in the media of today and social circles in the 18th century. Marie Antoinette also did not have the best reputation much like Paris Hilton today. Celebrities are always intriguing, even to people who try to distance themselves from pop culture. I think it has a lot to do with the glamour and illusion of the film industry. It can be sickening at times.
I once did this painting based on the Russian folklore tale Vassilisa the Brave and Baba Yaga. It's almost like a Russian version of Cinderella but much scarier. I had so many nightmares from it but my art teacher in high school really liked it. She now has it hanging in her home. This painting is just amazing. I was really interested in the the Russian Revolution when I studied it in history class in high school. European monarchies were impossibly decadent! I'm surprised there weren't more revolutions in European history.   

Karen Kilimnik

I have recently been researching the some the artists I was suggested to look at and am now in love with them, particularly Karen Kilimnik. A better artist could not have been chosen for me. People in drawing class have also suggested to look at Elizabeth Peyton, whom I like as well. I strongly relate to Karen's work not only because I see so much of her in myself, but also because coincidentally we draw from very similar sources. Her work is inspired by a scatter of sources such as fairy tales, celebrities, t.v shows, the occult, and the 18th and 19th century. Her artwork is filled with symbolism and meaning that may not be directly apparent to the viewer. I felt like during my critique in our last drawing class, few people mentioned or even asked about the content in my artwork. Because I too draw from so many sources, things from my head, childhood memories, and fantasy, it's hard to say if my work has a clear point of view. They are not, however, just drawings of interiors. They are actually very personal, and I am becoming more aware of that just through making them.   

Friday, April 4, 2008

The cover of my book. I used the same paper from my self guided project drawing. I photographed it behind patterned paper I had hanging on my wall. If only I could hang wallpaper on the walls in my dorm. I would be so inspired to make more artwork. 

Artist book!!!

Artist book! I interviewed one of my mom's close friends who lived in Russia for a few months for work. She told me so many stories about her visit there that the narrative became an overflow of Russian imagery. The narrative is I guess somewhat non linear, alluding to all of her sight seeing and fascinations with the culture. She went to the ballet, took a boat ride, had a few martini's too many and bought a fur coat. She also brought back a Russian stacking doll and gave it to me as a gift. I never told her that I lost it though! 

Wednesday, April 2, 2008

The beginnings of my bedroom. I enjoy feeling like I am taking on the role of the decorator and designer. The beauty of art is creating from your deepest desires. In these drawings, I am striving for a sense of harmony, beauty, and magic that does not exist in real life. I too wonder who would live in these spaces. I try my best however to invite the viewer into the space and admire all of its loveliness. I feel that my work also deals with issues of class, stemming from the idea of the American Dream and the consumer culture.  
More paper! 
More beautiful patterned paper. I searched every shelf high and low in New York Central for authentic Victorian patterns. This is the closest that I came though. It is beautiful nontheless and will be incorporated into my next two drawings.